Ross Karre exploits visual arts as an alternate vantage for examining and interpreting music. Conversely, his temporal visual art utilizes the structures, relationships, materials, and phenomena of experimental music. This symbiotic exploitation allows Ross to use performance as a container for media such as video projection, lighting, theatre, and sound. The unique coordination and integration of these elements is a primary concern. The mode of presentation, in its awareness and resistance of the codified practices of each medium employed, maintains a focused lens through which to view Ross's transitory and highly varied interests.